“I want you to get mad. I don't want you to protest, I don't want you to riot, I don't want you to write to your congressman, because I wouldn't know what to tell you to write. I don't know what to do about the depression, the inflation, the Russians, or the crime in the streets. All I know is that first... You've got to get mad.”

“I am mad as hell and I’m not going take it anymore!” With these twelve words, screenwriter Paddy Chayefsky engraved his name as a legend. Network is one of the most potent films of the media and continues, even thirty years later, to mock our current media. Directed by Sidney Lumet (Dog Day Afternoon, 12 Angry Men) in 1976, the film brilliantly explores the dark side of corporate media through the brilliant performances by Peter Finch, William Holden, Beatrice Straight, Robert Duvall, Faye Dunaway, and Ned Beatty.

Howard Beale (Finch) is the news anchor for the poorly rated UBS station. After learning he is going to be fired, Beale announces on air that he will commit suicide a week later. Although at first the company is outraged, enter entertainment head Diana Christensen (Dunaway), who sees Beale’s insanity not as a problem, but as an entertainment grab. As news head Max Schumacher (Holden) fights against Diana’s idea, he is subsequently removed from his post.

But at the center of all this is the lunatic Beale. Beale continues to go on air, ranting numerous times about the tumultuous events that seem the be creating the fear around the country. But with one news program, where he tells people to announce their anger to the world (thus the famous quote) does Christensen lock on to his power and create a true spectacle of the show. What I find interesting is how audiences react to Beale. Beale shouts important rants on how we can deal with the problems of the world. He is giving the answers. But do people listen? No, they simply go on watching the show and eating their dinners.

Somehow, Network predicted how the world of television would shape for the next thirty years. Chayefsky seemed to be the real “mad prophet of the airwaves.” He knew exactly how television worked back then and how we seem to follow the same patterns today. We still care only for ratings. News programs still focus on getting ratings through entertainment than journalism.

At the same time as Beale continues his prophetic speeches, Diana begins an affair with Max. She seems to live life on the dangerous side all the time, as seem by her idea for a reality show following the lives a terrorist group (obviously inspired by Symbionese Liberation Army. It seems over the top, but it doesn’t seem unreasonable in today’s strange world of news.

The power of performance is something Network seems to master. Two performances in particular achieved so much in so little time. Beatrice Straight only appears on screen for five minutes as Max’s wife. But her conviction as a woman hurt by her husband’s affair but not surprised is so convincing, so real that it works (Straight’s Oscar win is the shortest screen time win of all time). Then there’s Ned Beatty as the executive of UBS who delivers a powerful monologue about the idea of the corporations. “There is only IBM, and ITT, and AT&T, and DuPont, Dow, Union Carbide, and Exxon. Those are the nations of the world today,” He shouts at Beale.

Though most people reference Finch’s performance (who won the Oscar posthumously) as the standout, Holden’s for me remains the more subtle and actually more curious performance. Holden remains a moral conscience for us, but at the same time he is no better than others. Though he cares about Beale and real journalism, his engagement in the affair shows his vulnerability. When Max finally realizes his wrong, he gives a great monologue that shows his conviction to the world of TV. “And it's a happy ending: Wayward husband comes to his senses, returns to his wife, with whom he has established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell; final commercial. And here are a few scenes from next week's show.”

Like any good TV show, as Diana would suggest, Network ends in a murder. It’s not a surprise though; we see the executives openly discuss how they can end the Beale show to save the ratings. The decision is decided that Beale will be assassinated for the new terrorist reality show. What I find so fascinating about this scene is the complete lack of morality. Only at one point does one member suggest what they are doing is a capital punishment. The world of Network is one without morals. It is simply about what we can do to increase ratings. It is the world we live in today, where capitalism undermines our moral conscience.

    Network is a direct attack on the corporate media. Somehow, despite its strong message being blasted through its powerful performances, people failed to listen. And what has happened to our news media? It has only gotten worse. Sometimes, films can make a difference. Sometimes they will try and right a wrong. Unfortunately, no one listened and TV continued to dominate. But as long as people continually see Network, there is hope. And as long as someone is mad as hell, and not going to take it anymore, there is a chance for change.