Peter Labuza is a Ph.D. Candidate in Cinema and Media Studies at the University of Southern California and a John E. Rovensky Fellow in US Business and Economic History. His research interests include Hollywood and media industry historiography, legal history, political economy, art cinema, and cinephilia. His dissertation explores the rise of the legal profession in Hollywood and its contribution to the organizational business reforms and cultural discourse of art within the industry after World War II. He has published in The Velvet Light Trap, Film Quarterly, Mediascape, Sight & Sound, and The Los Angeles Review of Books, and he currently serves as Assistant Book Review Editor for the Journal of Cinema and Media Studies (formerly Cinema Journal). He has also published as a film critic for Variety, The Village Voice, and Filmmaker Magazine among others, and hosts The Cinephiliacs podcast. Previously, Labuza earned both his BA and MA in Film Studies from Columbia University.
Outside of his academic work, Labuza is the host of The Cinephiliacs, the author of Approaching The End: Imagining Apocalypse in American Film, and served as a booklet editor for the UK Blu-Ray distributor Masters of Cinema. He has contributed to Variety, The Village Voice, Reverse Shot, The AV Club, Little White Lies, Indiewire, The LA Review of Books, Filmmaker Magazine, and RogerEbert.Com among others.
This site serves as Peter’s general resume and CV to work he has done. All writing and research can be found via the page links on the left.
If you have arrived here via a broken link to a blog post, you will find the correct story on the blog posts page. If you cannot find it there, please contact him at firstname.lastname@example.org.